![]() Roll 4: Pat Hearn Gallery, Avenue D, June, 1984ĭiana Mara Henry Annie Herron Steve Kaplan Kim Keever Mark Kostabi Noel Oard Mapstead Veronica Vy, Barry Blinderman Just finished curating Walter Robinson’s show at the University Gallery in Illinois" Thank you, Lisa McDonald!įrank Bernarducci, right, Oliver Rish, center, Richard Skidmore, left,and in back at left, Curt, owner of Kamikaze. He had Semaphore Gallery and is now a university curator. ![]() Not sure, but in 5th row, is it Jean Michel Basquiat? Really close likeness.Ħth Row, 1st Left is Barry Blinderman with glasses. Roll 3: Pat Hearn Gallery, Avenue D, June, 1984īrian Gormley Pat Hearn Diana Mara Henry Annie Herron (dec.) Steve Kaplan Kim Keever Christine Larrain James Romberger Karen Scarpulla Ann Shostrom Martin Wong "More Stephen Style in baseball cap.ģrd Row, 2nd from Left: Mario Fernandez of New Math Gallery, in striped shirt in middle.ģrd Row, 1st Left Peter Schuyff and I think Jim Radakovich again (w/glasses) Rockets Redglare (a/k/a Michael Marra)(dec.) is lighting the guy’s cigarette.More Peter Schuyff and Steven Kaplan. Jim Radakovich may be the guy with glasses in bottom row left and 3rd from left." and Luis Frangelal, (dec.), artist, on his bike.ĥth Row more with Peter Schuyff. He’s in the next few photos 4th Row, 3rd from L: Paula Collery in white shirt, Dan Asher (dec.), Simon Cerigo and the next one has Paula.etc. Gary Azon Donald Baechler Linus Carragio Steve Kaplan Holly Solomon Jud Tully Dan Asher Simon Cerigo (deceased) with his friend Sheldon (thank you Theo Cerigo!) "2nd Row, 3rd from L: Carlo McCormick & Tessa Hughes-Freeland 2nd Row, 4th from L: Peter Schuyff, artist.I believe it’s entirely his show. Roll 2: Pat Hearn Gallery, and front of B Side Gallery, Avenue D, June, 1984 Thank you for your id's and for sending photos of you back in the day, Florian Michel! Kim Keever Ruth Kligman Tammy Muse Planetella Michael Roman James Romberger Nick Zedd Amelia Faulkner ,Stephen Style is very tall guy in baseball cap Also, Cy Ross, "Katze", Donald Baechler. Ronald Sosinski ,Marguerite Van Cook, John Mozzer, Stephen Snyder, Florian Michel and Steven Style, proprietor of Sensory Evolution gallery.Ĭlick on the link above for great enlargement viewing! Thank you, Lisa McDonald,Doug Milford’s partner from Piezo Electric! Thanks so much also to Frank Bernarducci, James Romberger, Doug Milford, Keiko Bonk, Judith Hugentobler, Theo Cerigo. Scans of image (for personal display only and not for reproduction publication or distribution) will be sent in thanks for photo id's. Please email us if you recognize the folks in these photos. Thirty-two years later, they exhibited together again. In June, August,September and October 1984, Diana Mara Henry frequented the Lower East Side Gallery openings with Noel Mapstead and friends. Photo above now appearing in the film Shadowman: Īlso FYI, Hambleton's Shadowman seen here on Gay Street, with radical attorney William Kunstler.Īll photographs Copyright © Diana Mara Henry Richard Hambleton and Ronald Sosinski at party at Kamikaze, NYC, 1984 I teach art (drawing / painting) at Voorburg, Netherlands where I have my second studio next to my first at The Hague, Netherlands, where I live.Simon Cerigo Dan Asher Nancy Smith pop up painting show on the Bowery June 6 in NYC!Ĭolor pics of Shafrazi, Hearn, Sal Ala, Cutrone, Cyphers, etc. Besides all that, exaggeration and deviation is the standard and results in a typical use of a strong colour scheme and a hugh tonal bandwith, in order to create art that, when the canvas or paper would be torn into pieces, in essence still would be recognizable. I combine figurative work with the search for abstraction because neither in extremo can provide the desired art statement the public expects from an artist. It is the tonal quality that is ever present in my work, creating the illusion of depth and mass on a flat 2d-plane. Colours are relatively unimportant and can take on whatever scheme. ![]() It is not the form or the theme that counts but the way planes of certain tonal quality vary and block in the lights. My favorites in doing so are oil paint, dry pastel and graphite pencil. I employ a variety of styles that all have one thing in common: the ever search for the light on phenomena and all the shadows and light planes they block in. My work can be seen in many countries all over the world.
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